![]() What's happening is the brush is applied to everything on the image, including the parts where you don't want or need it. This is using the brush without the Auto Mask checked. In the photo above, you'll see a classic example of over-brushing. Press the letter “O” (for overlay) to toggle this on and off. If you haven't actually started brushing anywhere, you won't see anything, but once you brush something on your image, you'll see this overlay appear. So press the letter “O” on your keyboard while your brush is selected and you'll turn on a red overlay. ![]() Without this, you'll just be making your best guess as to what you are doing with your exposure brush and that's really hard to do. The first thing you'll need to do in order to get the most of your brushing is to turn on the overlay mask. All of my demonstrations will be from LR Classic but aside from these sliders, all the concepts are the exact same in LR CC. Note: The main difference between Lightroom Classic CC and Lightroom CC (aside from the somewhat confusing name) is that Lightroom CC doesn't have the luminosity or color sliders (yet). I've found the brush to be one of my most used tools in Lightroom, so I'll be teaching a few simple tricks to get the most out of your images. The great news is that you don't have to mess with a lot of sliders or different options to get a near perfect selection. ![]() Many of the capabilities found in the very precise Select and Mask tool in Photoshop are found in this brush. The exposure brush in both Lightroom Classic CC and Lightroom CC is extremely powerful.
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